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Solo ƋƵŚĞƚ ƉũĞƐĂ Ƌģ ŬģŶĚŽŚĞƚ ŶŐĂ Ŷũģ ƉĞƌƐŽŶ;ŬģŶŐģƚĂƌͿ ŝ ǀĞƚģŵ͘ Eģ ĚƵĞƚ ŵĂƌƌŝŶ ƉũĞƐģ ĚLJƉĞƌƐŽŶĂ͕ Ŷģ trio ƚƌĞ ƉĞƌƐŽŶĂ͕ Ŷģ ŬƵĂƌƚĞƚ ŬĂƚģƌƉĞƌƐŽŶĂ͕ ŶģŬƵŝŶƚĞƚ ƉĞƐģ ƉĞƌƐŽŶĂ ĚŚĞ ŶģŽŬƚĞƚƚĞƚģƉĞƌƐŽŶĂ͘dģŬģŶĚƵĂƌŝƚa cappellaĚŽƚģƚŚŽƚģƚģ ŬģŶĚƵĂƌŝƚ ƉĂ ƐŚŽƋģƌŝŵ ŝŶƐƚƌƵŵĞŶƚĂů͕ ƋģģƐŚƚģƉĂĚLJƐŚŝŵůůŽũŝŵģŝƉģƌƐŽƐƵƌŝĂƌƟƚŬŽƌĂů͘ģƌŝnjďƵůŽŶƋĂƌƚģĚŚĞƉĂƐƚģƌĐŝůģƐŝƚģĞǀĞƚĂ͕ƉĂƵƚƌĂnjƵĂƌŽƐĞƉģƌnjŝĞƌŵĞƟŵďƌĞƚĞŝŶƐƚƌƵŵĞŶƚĞǀĞƐŚŽƋģƌƵĞƐĞ͘<ģŶŐģƚ Ƌģ ŬģŶĚŽŚĞŶ ŵĞ ƐŚƵŵģ njģƌĂ͕ ŶĚƌLJƐŚĞŝ ƋƵĂũŵģ ŬģŶŐģ ŬŽƌĂůĞ͘ Eũģ ŬŽƌ ŵƵŶĚ ƚģ ũĞƚģ ŝƉģƌďģƌģǀĞƚģŵŶŐĂďƵƌƌĂ͕ǀĞƚģŵŶŐĂŐƌĂŽƐĞǀĞƚģŵŵĞĨģŵŝũģ͕ƉŽƌŵƵŶĚƚģũĞƚģĞĚŚĞŝƉģƌnjŝĞƌŵĞƚģŐũŝƚŚĂŐƌƵƉĞƚĞŵģƐŝƉģƌŵĞ͘Të kënduarit në kor ģƐŚƚģƵŶŝƚĞƟƟŶŐģůůƵĞƐƉģƌŵĞƐƉũĞƐģŵĂƌƌģƐǀĞƚģŬŽƌŝƚŶģŬůĂƐģĂƉŽŶģŵũĞĚŝƐƚũĞƚģƌ͘'ũĂƚģŬģŶĚŝŵŝƚŶģŬŽƌĞĚƵŬŽŚĞŶĚŝƐĂƐŚƉƌĞŚŝǀŽŬĂůĞ͘ƚŽũĂŶģ͗• ŶĚģƌƟŵŝŝƐƚƌƵŬƚƵƌģƐŝŶƚŽŶĂƟǀĞ• ĂŶƐĂŵďůŝ• ĚŝƌŝŐũŝŵŝ<Žƌŝ ŵƵŶĚ ƚģ ũĞƚģ ŝ Ɖģƌďģƌģ ŶŐĂ ϯϬ ĚĞƌŝ Ŷģ ϱϬƉĞƌƐŽŶĂĚŚĞƉƵŶĂƉģƌŶŐƌŝƚũĞŶĞƟũŬĂůŽŶŶģƉģƌĚŝƐĂĨĂnjĂ͘Eģ ĨĂnjģŶĞ ƉĂƌģ ďģŚĞƚ ƉģƌnjŐũĞĚŚũĂ ƐŝƉĂƐǀŽŬĂůŝƚ;njģƌŝƚͿĚŚĞƐŚƚƌŝƌũĞƐƋģĚƵŚĞƚƚģŬĞƚģnjģƌŝŝŶdžģŶģƐŝƚ͘Eģ ĨĂnjģŶ Ğ ĚLJƚģ ďģŚĞƚ ŶĚĂƌũĂ ƐŝƉĂƐ njģƌĂǀĞƚģ ŬŽƌŝƚ͘ <ũŽ ŶĚĂƌũĞ ďģŚĞƚ ƐŝƉĂƐ ůĂƌƚģƐŝƐģĚŚĞ Ɵŵďƌŝƚ ƚģ njģƌŝƚ͕ Ğ ĐŝůĂ ģƐŚƚģ Ŷũģ ŶŐĂŬĂƌĂŬƚĞƌŝƐƟŬĂƚĞŬŽƌŝƚĚŚĞĕŽŶŶģƟŶŐģůůŝŵŝŶĞƐĂŬƚģĚŚĞƚģƉĂƐƚģƌƚģƟũ͘WƌĂ͕ǀĞŶĚŽƐũĂĞƐĂŬƚģƐŝƉĂƐ njģƌĂǀĞ ĚŚĞ ǀĞŶĚĞǀĞ ģƐŚƚģ Ŷũģ ŵŽŵĞŶƚƐŚƵŵģŝƌģŶĚģƐŝƐŚģŵƉģƌƟŶŐģůůŝŵŝŶĞŬŽƌŝƚ͘EdžģŶģƐŝƚ ǀĞŶĚŽƐĞŶ ĞĚŚĞ ƐŝƉĂƐ ŐũĂƚģƐŝƐģ͕ Őũģ ĞĐŝůĂůĞũŽŶĕĚŽŬģŶŐģƚĂƌƚģƐŚŝŬŽũģŵģƐƵĞƐŝŶƚĞŬƐĂĚŝƌŝŐũŽŶ͘ZƌĞƐŚƟ ŝ ĚLJƚģ ƋģŶĚƌŽŶ ŐũŝƚŚŵŽŶģ ŵģ ůĂƌƚ ƐĞƌƌĞƐŚƟŝƉĂƌģ͕ƋģnjģƌŝƚģŵŽƐŬĞƚģƉĞŶŐĞƐĂŐũĂƚģŬģŶĚŝŵŝƚ͘ <Žƌŝ ǀĞŶĚŽƐĞƚ Ŷģ ĨŽƌŵģ ŐũLJƐŵģƌƌĞƚŚŝƐĞƉƐĞŬģƐŚƚƵ͕ĂƚĂĞĚģŐũŽũŶģŵģŵŝƌģŶũģƌŝͲƚũĞƚƌŝŶ͘2.3 Këndimi dhe formacionet vokaleFig. 1 Këndim soloFig. 4 Kor me zëra vokalë lirikë femërorëFig. 3 Kor me zëra vokalë lirikë mashkullorëFig. 5 Kor fëmijëshFig. 2 Këndim duet46
